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Annmarie Grossi as Viola, left, delivers a message to Bianca LaRochelle as Countess Olivia, right. The Marco Island Shakespeare Festival debuts their inaugural production, "Twelfth Night," over the next two weekends at Marco Lutheran Church, with a
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The Washington Post On May 7, 98 years ago, the RMS Lusitania was torpedoed by a German U-boat. More than 1300 passengers were killed, at least 130 of whom were American...The Titanic, as you probably remember from the interminable film , took hours
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Suggested Topics Film and television stars dominated the nominations for Britain's showpiece theatre awards, with Helen Mirren, James McAvoy, Rupert Everett and Kristin Scott Thomas vying for the top acting gongs. The nominations for the 2013 Olivier
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Sheridan Smith and Rupert Everett shine at theatre awards Entertainment and arts correspondent, BBC News Sheridan Smith as Hedda Gabler and Rupert Everett as Oscar Wilde in The Judas Kiss It was the role that Sheridan Smith said took her far outside
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Marcus Yam for The New York Times Tim Crouch expands on a character from Twelfth Night in I, Malvolio. A minor Shakespearean character comes to the fore in Tim Crouch's I, Malvolio, at the Duke on 42nd Street. Follow @NYTimestheater for theater news
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A chill time to hunker down near the radiator and scoff leftover fruitcake?...In 2005, Mark Russell founded the Under the Radar festival, a jumble of international experiments and local favorites designed to appeal to the Association of Performing
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Twelfth Night' Twit Gets a Turn in the Spotlight Marcus Yam for The New York Times Tim Crouch in his one-man show, "I, Malvolio." Published: January 11, 2013 Even the most audacious actors rarely play a suicide attempt for laughs. But in his
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An actor from The Bankside Mummers group announces the arrival of the The Holly Man the winter guise of the Green Man, a character from pagan myth near the Globe Theatre in London to celebrate Twelfth Night. In the traditional agricultural calendar
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On stages large and small, across new plays and revivals and musicals, too, the vagaries of passion are fueling one show after another. Cantiamo D'Amore we sing of love or so announces a number in Kiss Me, Kate, the Cole Porter musical that has been
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Shakespeare's Twelfth Night is awash with romantic confusions caused by cross-dressing. Shipwrecked on a foreign shore and believing that her twin, Sebastian, has drowned, Viola disguises herself as a boy. Swiftly employed as a page, s/he is
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