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Various artists, "Soundtrack for a Revolution" (Entertainment One) The 2009 documentary film "Soundtrack for a Revolution" provided a glimpse of how music played an influential role as blacks fought for equality during the turbulent times of the
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Veiled messages of resistance to slavery ran through the lyrics of many Negro spirituals, and more than a century later some were revamped with less-subtle messages to help lift the spirits of civil rights activists during protest marches, sit-ins,
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Soundtrack for a Revolution and Every Little Step Published: 2011-05-09 A Survey of Outstanding Recent Work in the Documentary Field Part Two: March 23 to June 1, 2011 The 29th annual Contemporary Documentaries series is a showcase for feature-length
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Oral history should get top billing in Soundtrack for a Revolution at 7:38am on Jan 16, 2011 Contributing music columnist Modified at 11:44am on Jan 16, 2011 A girl and her mother watched the civil rights march from Selma to Montgomery, Ala., in a
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Friday, April 30, 2010 Civil rights footage carries Soundtrack Herald Movie Critic A sincere attempt to look at a great subject through a new prism, Soundtrack for a Revolution makes the case for the importance of music to the U.S. civil rights
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Originally published Thursday, April 29, 2010 at 3:00 PM Movie review 'Soundtrack for a Revolution': a powerful mix of music, civil-rights history "Soundtrack for a Revolution," a documentary by Bill Guttentag and Dan Sturman, is a brilliant capsule
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The documentary "Soundtrack for a Revolution" is essentially a condensed, lightly airbrushed, skillfully assembled history of the civil rights movement, with musical interludes. It's civil rights' greatest hits: Montgomery, Selma, Birmingham; "Eyes
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You can cage the singer but not the song,” says Harry Belafonte at the onset of Soundtrack for a Revolution , a pulsating testimony of the American Civil Rights Movement through song and archival footage. Written and directed by Bill Guttentag and
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In their previous film, “Nanking,” the directors Bill Guttentag and Dan Sturman had actors, in costume and makeup, “play” historical figures by reading from their letters and diaries. In “Soundtrack” they tweak the traditional archives-and-talking-
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Each January, the Palm Springs International Film Festival features most of the Oscar-nominated foreign films from around the world. Thus, one can view Michael Haneke's powerful, recent Golden Globe winner The White Ribbon , a stinging, black-and-
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