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The Middle Ages on Film" at Anthology Forever on fire with fear of God, unburdened by literacy or expectations of a life that might extend past the thirties, ruled by day and night and the world's great silence, the medieval mind is as alien to us
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Debut Shot quickly and cheaply in 16mm on the streets of Paris in 1981, Jacques Rivette's Le Pont du Nord was a "comeback" film of sorts for its director at a moment when the lions of the Nouvelle VagueGodard, Rohmer, et al.were collectively readying
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This can be attributed to the overpowering influence of the labyrinthine stories of Jorge Luis Borges on a generation of South American artists...In fact, for the latter's The Spider's Stratagem (1970), De Gregorio adapted the Borges story Theme of
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A head-scrambling combination of Alice in Wonderland and Buster Keaton's Sherlock Jr., Jacques Rivette's three-hour 1974 mindbender Celine and Julie Go Boating remains a dizzying head trip: a fantasy about magic candy, malleable identities and the
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Inglourious Basterds" and "There Will Be Blood": Whatever you have to say about Quentin Tarantino and Paul Thomas Anderson , they are among the most original filmmakers of our era, and it's both amazing and encouraging that each can get major,
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The least well-known of the New Wave founders, and easily the least prolific, Jacques Rivette created the most mysterious and labyrinthine movies among his fellow critics-turned-filmmakers; they're wonders of theater, art, conspiracy, and imagination.
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A bout de souffle a mere two stars from Cahiers du Cinema for Jean-Luc Godard's film. Photograph: Ronald Grant Archive Why should we be interested in the history of a moribund French-language film magazine with perhaps 10 readers in Britain? Because
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Marie-France Pisier pictured at the 1979 International Film Festival in Cannes Elegant, poised, with beautiful green eyes and a singular, sensual voice, Marie-France Pisier was one of France's best loved actresses, admired as much for her feminist
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Among the founding fathers of the French New Wave, Jacques Rivette, who turned 83 this month, has remained a relatively forgotten figure. His films were less fashionable and often more perplexing than those of his peers Jean Luc-Godard, Eric Rohmer
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Journey to Italy (Viaggio in Italia), 1954 Photograph: Ronald Grant Archive Forget about Who's Afraid of Virginia Woolf? For an honest portrayal of a disintegrating relationship, Journey to Italy is the grownup choice. Rossellini paired his wife,
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