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Christian Marclay's internationally heralded masterpiece 'The Clock' which is a 24-hour video montage of thousands of film clips indicating the passage of time. In these thousands of film clips, The Clock excerpts these moments from their original
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Porter's little thriller to "The Clock," Christian Marclay's 24-hour-long compilation of thousands of clips from the history of movies and television. It's about time, with a clock, watch, sundial, hourglass -- even a metronome -- in every minute of
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Christian Marclay's Things I've Heard' Things I've Heard, the first exhibition dedicated solely to the artist and composer Christian Marclay's photographs, opens on Friday at the Fraenkel Gallery in San Francisco. Marclay's work often explores the
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The Houston institution, which includes the famous Rothko Chapel, firmly believes in fostering the capacity of art to address the heart before the mind. To this end, it eschews wall text, docent tours, and other such noise; the works are allowed to
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Brendan Hoffman for The New York Times "Whitney Buddha Complex: TV Buddha" (1982), a statue pondering its televised image, evidence of Paik's sense of humor. Paik, from our current vantage point, looks like a master prognosticator...He was one of the
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Living under surveillance can lead us to believe that nothing eludes capture by the camera. So "The Unphotographable," which opens Thursday at the Fraenkel Gallery , brings a teasing sort of reassurance to us not yet resigned or indifferent to the
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Time passes, which is the point of Christian Marclay 's much-talked-about installation The Clock . The work, a 24-hour cinematic loop composed of sequences appropriated from the last century of film, chronicles this passing in real time, as they say.
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November 30, 2012 ..."the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous
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The Hansons have worked together as artists since their early college years. Inspired by Italian and Swedish techniques, they use bold colors to create their unique contemporary works. Surface decoration, including colored stripes or symbols of cane
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The question of who has access to "the public space" of that radio spectrum "is one that deserves attention and visualization tools not just in Mexico but also in the developed world." The piece can be contemplative or cacophonous, depending on how
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