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Andrew\'s Episcopal Church on Friday, was particularly novel. Not the usual program of individual shorter pieces, favoring this or that member of the group. This time, the music was instrumental, and by Bach, in one way or another. And it joined four
Photo / Thinkstock Auckland Chamber Orchestra always comes up with programming that takes little heed of barriers and borders. So it was with its first Sunday concert for the year, putting concertos by Bach and Philip Glass alongside the best of our
a 90-minute modern interpretation of Bach's masterpiece using an electronic wind instrument, the collaboration of talented musicians and thousands of hours of hard work. The final product is a vibrant, playful reinterpretation of the Baroque jewel,
Music Review Despite Early Doubts, Brandenburgs' Endure Chamber Music Society of Lincoln Center Plays Bach James Estrin/The New York Times Chamber Music Society of Lincoln Center, including the flutist Tara Helen O'Connor, front left, performing Bach'
Concertmaster Cynthia Miller Freivogel and artistic director and harpsichordist Frank Nowell, pictured here, will lead the orchestra from within the ensemble. Special to the Daily If you go What: The Baroque Chamber Orchestra of Colorado When: Sunday
Auckland Philharmonia Orchestra's mid-year Splendour series is always an appreciated compensation for winter miserableness. The first of its three Inspired by Bach concerts at Auckland Town Hall was built around two Brandenburg Concertos. The Third
at least as far as his last symphony, No...The Dubuque Symphony Orchestra will present two well-known works by Bach, "Brandenburg Concerto No. Magnificat," as well as Mozart's "Jupiter," on March 5 and 6. "Mozart knew and respected Bach's music,"
Saturday in Humboldt State University's Fulkerson Recital Hall. In addition to the works of Vivaldi and Telemann, they will play the last of Bach's Brandenburg Concertos, and an unusual Bach composition with two pianos, according to the announcement.
The Chamber Music Society of Lincoln Center 's concerts of Bach's Brandenburg Concertos each December have become almost as much a New York holiday staple as the avalanche of Messiah and Nutcracker performances. For more than a decade, the society
A Portrait in Leipzig (Modern Music & Musicians, University Society, New York, 1918) It's a shame that we don't get to play much music from the Baroque period (16001750) in my orchestral job. It almost seems as though the people responsible for