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Never Sorry , Trouble with the Curve , Pitch Perfect , Total Recall \n Wilmington on DVD: Ai Weiwei: Never Sorry , Trouble with the Curve , Pitch Perfect , Total Recall \n \n by Mike Wilmington \n on Wednesday 01/09/2013 10:00 am \n Ai Weiwei: Never
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Taipei, Nov. 16 (CNA) The American director of an award-winning documentary on outspoken Chinese artist Ai Weiwei said she hoped the film, which made its commercial debut in Taiwan on Friday, could inspire and challenge local audiences. "I hope it
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In recent years, Chinese artist and activist Ai Weiwei has garnered international attention as much for his ambitious artwork as his political provocations. From 2008 to 2010, Beijing-based journalist and filmmaker Alison Klayman documented Ai's
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But on a larger, more macro level, Alison Klayman's project illustrates the power of a good documentary to lay out the fuller story many only know from sound bites. For those who knew about oppressed Chinese artist Ai Weiwei from news reports, Never
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Artist Ai Weiwei has made headlines worldwide since his detention in China last year, but outside art circles few people in Western countries know of his efforts to push for a more open government in his country. As an artist, he is an eclectic
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Never Sorry" is like experiencing a thrilling unfinished symphony: The story is enthralling, but it's not over, and there's no telling where it's going...Though he was named the most powerful artist in the world by ArtReview, Chinese provocateur/
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Read more share this story Is it too soon to think about Oscar contenders for non-fiction films? Several summer/ early fall releases are especially noteworthy. Not only is Ai Weiwei: Never Sorry the story of a major visual artist in China who has
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Life magazine publisher, Henry Luce, called on the country to create the "American Century." He urged Americans to "to exert upon the world the full impact of our influence, for such purposes as we see fit and by such means as we see fit." He got his
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The boundary between art and politics has never been crisp, but nowhere is it blurrier than Mainland China. Switching back and forth between the new script imposed by corporate capitalism and the rhetoric of the old communist cadres, the emerging
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Never Sorry (opening July 27 at IFC Center) concludes shortly after Ai's release; the outspoken artist, for whom interviews with international journalists had essentially been a creative medium like photography or performance, is seen returning home
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