News Source: The Union
| about 1 hour ago
George Cole has just returned from playing with Keely Smith at the Rrazz Room in San Francisco. He's had sold out shows at Carnegie Hall in New York and The Freight & Salvage in Berkeley...Cole's superbly crafted and melodically sophisticated
News Source: Macleans
| 2 days ago
Trumpeter Wynton Marsalis offered thanks over the holiday weekend to fans who have stuck with him through the years by presenting a free concert in the intimate setting of Dizzy's Club Coca-Cola at Jazz at Lincoln Center. About 130 tickets to
News Source: Chicago-Sun Times
| 9 days ago
Theater Critic / hweiss@suntimes.com Hershey Felder is an altogether remarkable polymath -- an exceptional actor, writer, pianist, singer and teacher. And all his prodigious talents are on grand display in his latest work, "Beethoven, As I Knew Him,"
News Source: San Francisco Chronicle
| 11 days ago
Septeto's first in the United States after being denied entry during the Bush administration - at the Hostos Center for the Arts and Culture in the Bronx. They are here for a scheduled 25 engagements, which includes four nights at Yoshi's San
News Source: All ABout Jazz
| 12 days ago
Two discs feature the artists' greatest love songs, just in time for Christmas,New Year's Eve, and Valentine's Day! Calif. -- Concord Music Group's For Lovers series will continue on December 22, 2009 with CDs from both Ray Charles and Isaac Hayes,
News Source: The Independent
| 13 days ago
Porgy and Bess represents George Gershwin's longing to compose an American folk opera on a suitable theme. Although Mr Heyward is the author of the libretto and shares with Ira Gershwin the credit for the lyrics, and although Mr Mamoulian has mounted
News Source: The Olympia
| 13 days ago
For The Olympian • Published November 19, 2009 When he says he’s an incurable romantic, Eric Michael Gillett isn’t kidding. “When I watch ‘Romeo and Juliet,’ if it’s really well acted, I always hope that this time, those kids are
News Source: All About Jazz
| 13 days ago
Around long enough that the phrase "coming late to jazz" is no longer relevant, pianist Gwilym Simcock's star has been rapidly rising on the British scene for the past seven years, as he continues to mine the nexus of a classical upbringing with his