Romance is a general term that refers to the attempt to express love with words or deeds. It also refers to a feeling of excitement associated with love. Historically, the term "romance" did not necessarily imply love relationships, but rather was seen as an artistic expression of one's innermost desires; sometimes including love, sometimes not. Romance is still sometimes viewed as an expressionistic, or artful form, but within the context of "romantic love" relationships it usually implies an expression of one's love, or one's deep emotional desires to connect with another person. "Romance" in this sense can therefore be defined as attachment, fascination, or enthusiasm for something or someone, in literature similar exaggerated narration is called romance.Also, romance is, or has become, a major aspect of postmodernity, and its criteria primarily includes fashion and irony. Sexual revolutions have brought such changes about. Wit or irony encompass the inherent instability of romance, fine-tuned to its late modern peculiarities. This phenomenon is often expressed in popular culture as "throwing game." Love and marriage clearly were always ironic, but not to this degree. In Marxism the romantic might be considered an example of alienation. In his theory of mimetic desire, Girard attempts to make sense of such phenomena, focusing on the conflict between romance's individuality and jealousy. Yet in its independent mode (i.e., rather than as a change within a relationship) it tends to be a tragic region lying somewhere between on the one hand an ethical, and on the other hand an ascetic (or possibly debauched) life, combining